First I was a European-style player, then I was a downtown ‘noise guy,’ and now some people call me an Americana guy.

For me the music community was always like a model for what could be. The way people would play together, just harmony and being – old guys and young guys, black guys and white guys. It was setting an example for what the rest of us could be.

I spend a lot of time copying saxophone players and trumpet players. Not to say that it is not important to listen to guitar players, but there’s so much music out there and so many possibilities. I like anyone who plays any instrument.

In so many ways, it feels the same now when I play as the very first time I picked up the instrument. There’s always this sound out there that’s just a little bit beyond my reach and I’m trying to get there and that just sort of keeps me going.

I do know the older I get, the more I’m referencing music I heard as a kid.

Every time I play with someone, not just a new person, but someone I’ve been with all along, that’s where I really learn.

I’ve been lucky with the circle of people I’m playing with. We’ve played enough that there’s a language we talk with each other when we play.

It’s incredible how one song or even one little phrase or just a few notes, if you really concentrate on it, can be a kaleidoscope of possibility.

I can write the stuff and play it myself and have something in my head, but the best feeling is when somebody else plays it and they’re hearing something other than what I’m hearing.

I’m basically a pretty shy person and I don’t dance or get into fights. But there are all these things inside me that get out when I perform. It’s like a real world when I play, here I can do all the things that I can’t do in real life.